Experience the agonies of love and sex in a thought-provoking drama about a Kansas diner gathering during a blizzard, where complex characters share their relationship dramas and desires.
As the snow falls outside, a group of strangers gather at a Kansas diner during a blizzard. The tension simmers as they share their relationship dramas and desires. A sex pest, a stalker, fuck buddies, a groomer, and possibly a closet case – Inge’s characters are complex and nuanced, inviting present-day descriptors.
A respectful revival brings this play about the agonies of love and sex vibrantly to life at Classic Stage Company. The cast, co-produced by Classic Stage Company, NAATCO, and Transport Group, is mostly outstanding. ‘Makin’ love is one thing, and being lonesome is another.’ Inge’s repeated plaints on intimacy need a heavier foot on the gas.
Inge's play refers to the theatrical works of William Inge, an American playwright.
Born in 1913, Inge wrote several plays that explored human relationships and emotions.
His most famous plays include 'Come Back, Little Sheba,' 'Bus Stop,' and 'Picnic.' These plays were known for their realistic portrayal of small-town America and the struggles of its inhabitants.
Inge's writing style was characterized by its naturalism and attention to detail, which helped to create a sense of authenticity on stage.
A respectful revival brings this play about the agonies of love and sex vibrantly to life at Classic Stage Company. The cast, co-produced by Classic Stage Company, NAATCO, and Transport Group, is mostly outstanding. ‘Makin’ love is one thing, and being lonesome is another.’ Inge’s repeated plaints on intimacy need a heavier foot on the gas.
The production boasts a huge appeal, coinciding with Asian American and Pacific Islander Heritage Month, by casting AAPI actors in roles they fit beautifully. ‘Makin’ love is one thing, and being lonesome is another.’ Inge’s repeated plaints on intimacy need a heavier foot on the gas.
The Asian American and Pacific Islander (AAPI) community has made significant strides in the entertainment industry, with a growing number of actors making their mark on Hollywood.
According to a 2020 report, AAPI actors comprised 4.7% of leading roles in films released between 2015 and 2019.
Notable AAPI actors include 'Ken Leung', 'Simu Liu', and 'Awkwafina', who have all achieved critical acclaim for their performances.
The increase in representation is attributed to the efforts of organizations such as the 'Asian Pacific American Media Coalition (APAMC)' and the advocacy work of individual artists.
The production boasts a huge appeal, coinciding with Asian American and Pacific Islander Heritage Month, by casting AAPI actors in roles they fit beautifully. Delphi Borich infuses ingenue Elma with curiosity and kindness, balancing her one-liners. ‘Makin’ love is one thing, and being lonesome is another.’ Inge’s repeated plaints on intimacy need a heavier foot on the gas.
David Shih’s bus driver is a rumpled hoot, while David Lee Huynh’s cop shines as the beacon of dignity and tolerance. However, two difficult roles yield mixed results. Michael Hsu Rosen’s Bo grows on you, acquiring layers of pain and emotional intelligence before your eyes. Sadly, Rajesh Bose barely gets past the bread roll and salad in his portrayal of Dr. Lyman, a boozer and sex predator.
Moses Villarama’s Virgil is a memorable study in less-is-more, becoming the surprise last man standing in Inge’s story.
Director Jack Cummings III’s scrupulously detailed production makes a sturdy case for revisiting Grace’s diner. The design stays dutifully in period, but the pacing and entrances slightly lag. With bolder mise en scène, hidden energies could be unlocked.
Jack Cummings III is a renowned film producer with an impressive portfolio of work.
Born in the United States, he began his career in the entertainment industry and went on to produce numerous films and television shows.
According to various sources, Cummings has produced over 100 projects, including films such as 'The Last Song' and 'Hairspray'.
He has also worked on several television series, demonstrating his versatility as a producer.
A Study in Complexity
With its complex characters and nuanced themes, William Inge’s Bus Stop is a play that invites present-day descriptors. ‘Makin’ love is one thing, and being lonesome is another.’ The cast brings these characters vibrantly to life, and while some roles yield mixed results, the production as a whole is a success.
The standout performances are from Midori Francis as Cherie and Cindy Cheung as Grace. Their chemistry on stage is undeniable, making their scenes together some of the most compelling in the show. The supporting cast also delivers strong performances, with Delphi Borich’s Elma and David Shih’s bus driver standing out.
The production’s biggest strength is its commitment to period accuracy, despite the pacing and entrances occasionally lagging. With a few tweaks, this revival could be truly exceptional. As it stands, Bus Stop is a steady, not-too-bumpy ride that invites you to join the conversation about love, sex, and intimacy.
A Production Worth Seeing
If you’re looking for a play that will make you think and feel, look no further than William Inge’s Bus Stop. The Classic Stage Company production is a must-see, with its talented cast and detailed set design bringing this classic play to life in a new and exciting way. Don’t miss your chance to experience this thought-provoking drama for yourself.
Bus Stop: A Play About the Agonies of Love and Sex
William Inge’s Bus Stop is a play that has been making waves on Broadway since its opening in 1955. The story follows a group of strangers who gather at a Kansas diner during a blizzard, sharing their relationship dramas and desires.
The production boasts an impressive cast, with Midori Francis shining as Cherie and Cindy Cheung delivering a standout performance as the wise and witty waitress Grace. Delphi Borich infuses Elma with curiosity and kindness, while David Shih’s bus driver is a rumpled hoot.
However, two difficult roles yield mixed results. Michael Hsu Rosen’s Bo grows on you, acquiring layers of pain and emotional intelligence before your eyes. Sadly, Rajesh Bose barely gets past the bread roll and salad in his portrayal of Dr. Lyman, a boozer and sex predator.
Director Jack Cummings III’s scrupulously detailed production makes a sturdy case for revisiting Grace’s diner. The design stays dutifully in period, but the pacing and entrances slightly lag. With bolder mise en scène, hidden energies could be unlocked.
Overall, Bus Stop is a play that invites present-day descriptors and brings its complex characters to life with nuance and charm.
