As the Tate Modern celebrates a quarter century of innovative art in its Turbine Hall, five new commissions push boundaries and spark conversations about our world today.
The Tate Modern’s Turbine Hall has become a landmark of contemporary art in London, hosting some of the most thought-provoking installations over the past 25 years.
In 2019, the ‘I Do, I Undo and I Redo’ installation showcased the works of several artists, including Louise Bourgeois’s iconic bronze spider, Maman, which was originally commissioned to mark the gallery’s opening in 1993. The first time Maman appeared at the Tate Modern, it was part of a larger installation entitled ‘I Do, I Undo and I Redo,’ which showcased the works of several artists.
Olafur Eliasson’s 2003 Turbine Hall commission, The Weather Project, was a groundbreaking work that captured the imagination of visitors. Using mirrors, lights, and artificial mist, Eliasson created an immersive environment that simulated the sun’s rays. The installation sparked conversations about art, science, and technology.
Olafur Eliasson is a Danish-Icelandic artist known for his large-scale installations that explore the relationship between light, space, and human perception.
Born in 1967, 'his work often incorporates natural materials such as water, stone, and wood to create immersive experiences.'
His most famous piece, 'The Weather Project,' was a massive sun-like installation at Tate Modern in London, generating a warm glow that transformed the museum's interior.
With over 30 years of practice, Eliasson continues to push boundaries in his creative endeavors.
In 2006, Swedish artist Carsten Höller took over the Turbine Hall with his installation, Test Site. Five transparent slides invited visitors to experience a thrilling ride, while others introduced disorientation and discomfort. This work showcased Höller’s ability to challenge our perceptions.
Ai Weiwei’s 2010 commission, Sunflower Seeds, was an installation that highlighted the artist’s commitment to human rights and environmental issues. One million sunflower seeds covered the floor, inviting visitors to walk across a shifting carpet. Unfortunately, the dust-covered seeds posed health concerns, prompting the gallery to take precautions.
Ai Weiwei is a Chinese contemporary artist, activist, and dissident.
Born in 1957, he studied law at the Beijing Film Academy but later turned to art.
His work often critiques China's human rights record and government censorship.
In 2008, his installation 'Sunflower Seeds' was installed at the Tate Modern in London, sparking controversy over its cost and labor practices.
Ai Weiwei has been detained by Chinese authorities multiple times for his outspoken views, including an 81-day imprisonment in 2011.
Colombian artist Doris Salcedo’s 2007 installation, Shibboleth, addressed migration and racism. The work featured a hairline crack in the floor that grew longer and wider as visitors entered, revealing its full length. This piece served as a powerful commentary on human rights.
Kara Walker‘s 2019 Turbine Hall commission, Fons Americanus, tackled the horrors of the British Empire. The installation featured a fountain based on the Victoria Memorial, referencing the seas traveled by slave traders. This work served as a powerful statement against colonialism and racism.
Ghana-born artist El Anatsui’s 2024 commission, Behind the Red Moon, interrogated slavery and its ongoing impact on our world. The installation featured large flapping banners and meshes made from discarded materials, underscoring the role of our oceans in human trafficking.
El Anatsui is a Ghanaian artist known for his large-scale sculptures made from discarded materials such as aluminum cans and cardboard.
Born in 1944, Anatsui's work often explores themes of consumerism, waste management, and the relationship between art and everyday life.
His sculptures are created by combining and arranging these materials in intricate patterns, resulting in visually striking pieces that challenge viewers to reconsider their perceptions of value and worth.
Máret Ánne Sara’s upcoming commission will confront colonialism and its effects on traditional cultural values. The work promises to be a powerful commentary on present-day issues, inviting visitors to reflect on their relationship with the natural world.
As we celebrate 25 years of innovative art in the Turbine Hall, it is clear that these installations have not only pushed boundaries but also sparked meaningful conversations about our world today.
- observer.com | Looking Back at 25 Years of Tate Turbine Hall Commissions
